Technoculture: Subjectivity in the Net of Music

Authors

  • Vesna Mikic

DOI:

https://doi.org/10.25071/1496-6778.8014

References

Baudrillard, Jean. Drugo od istog (Le même de l’autre). Beograd: Lapis, 1994.

Bora, Gabor. “Interobjectivity: The Link from Communication to Information and Back Again.” http://www.nettime.org 1997.

Davies, Erik. “Technoculture and the Religious Imagination.” http://www.nettime.org 1997.

Haim, Michael. Virtual Realism. Oxford, New York: Oxford University Press, 1998.

Haraway, Donna. “The Actors are Cyborgs, Nature is Coyote and the Geography is Elsewhere: Postscript to ‘Cyborgs at Large.’” In: Technoculture, eds. Constance Penley and Andrew Ross. Minneapolis, Oxford: University of Minnesota Press, 1991: 21-7.

Menser, Michael. “Becoming Heterarch – On Technocultural Theory, Minor Science and the Production of Space.” In: Technoscience and Cyberculture, eds. Stanley Aronowitz, Barbara Martinsons and Michael Menser with Jennifer Rich. New York and London: Routledge 1996: 293-317.

Mikić, Vesna. “Music and/or Virtual Reality?” New Sound: International Magazine for Music (2003): 29-35.

Šuvaković, Miško. Paragrami tela/figure. Beograd: CENPI, 2001.

Veličković, Jasna. Vris.Krik.exe, perface to score, Beograd, 2000.

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Published

2004-04-01

How to Cite

Mikic, V. (2004). Technoculture: Subjectivity in the Net of Music. Spacesofidentity.Net, 4(1). https://doi.org/10.25071/1496-6778.8014

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Section

Special Issue